Lecture? Book It Here

 

WhatIsWhat 1.0 2003

Blogs

REPOST What is the future of Nuclear Accidents?

INNOVATION and ACCIDENT. This past spring I taught a semester long course at Pennsylvania State University called Innovation and Accident. The course involved some reading, some development of tools to define failures in communication and to then address those failures via innovative solutions. The course peaked with a student presentation of different approaches and strategies to problems they defined within their own very personal landscape. The solutions final class involved a group outing to a Nuclear Reactor site used for research on the edge of the main campus of the school.

SWEDEN 2010

Images from my recent trip through Sweden.

bill shannon

ABOVE: Driving down the east coast of Sweden I came to this lovely bridge with a smooth underbelly.. being from the city of Steel and Bridges I had to jump off the E4 and capture the structural beauty of this amazing bridge

 


 

 

bill shannon

ABOVE: My host in Stockholm Dansens Hus. photo by Arto just in case you missed how low the camera was to the ground.

bill shannon

Bill Shannon "spatiotemporality" Douz and Mille @ DNA NYC thru June 18th

spatiotemporality is a solo exhibit by Bill Shannon at DNA galleries featuring two video installation works, bill shannon douz and mille at dna evolution of william foster shannon (clik thru for vids ) "Bench" a three channel six camera composited in the round street capture and "The Evolution of William Foster Shannon" a 20 Screen video wall documenting and mixing the diversity of performance and video projects over the past 20 years. The works are on display thru June 18th daily from 10am to 8pm 53 Chambers st.

HIRSHHORN EVENT APRIL 9th

The event is called AfterHours.  I will be showing a new video sculpture that is site specific to the HH plaza courtesy of Douz and Mille and performing live dance and performance with a select group of dancers, DJs and VJ.

here is the link to tickets and more info. http://hirshhorn.si.edu/afterhours

bill shannon large scale architectural projections on the hh face

 

Still from New Composite - editing till my eyes bleed.

BILL SHANNON composited 8 camera shoot

I am very excited about the new content. Still editing the video to get the right look and choice speeds. using Adobe AfterEffects to enhance my Final Cut.. a world of difference.  This image  is a good indication of the fractured multi-angle reimagination of the dance that the work inhabits. its a shape shifting as if looking through a prism reimagination of the body. editing the Crik footy now. thanks to Douz and Mille and DNA

Video Installation: New Content and New Application for existing media and assembly process .

Capture Rig for New Video Installation Series 2010 - keep dancing -

ABOVE: Artist and Dancer, "Cricket" performing in front of the capture rig at Dance New Amsterdam for a new untitled video installation work in progress

"Wall Stall" : Documenting The Shannon Technique

Bill Shannon Technique dance street urban freestyle art performance art clowning
ABOVE: Classic "Wall Stall " executed in a Falling Style Shannon Technique 2010 photo : BC

The basic trick sequence involved in the "Wall Stall" from Shannon Technique is to plant the vertical 
oriented crutch ahead of your body and lift into it as you are also dropping the horizontal crutch down.
Holding onto the horizontal crutch with your armpit tightly is essential because it will be bearing weight

Still Grabs from New "BENCH" edit

BILL SHANNON : BENCH  from Shannon Public Works Trilogy Window Bench Traffic
ABOVE: Still from BENCH, intersection of GRAND and WOOSTER, MANHATTAN NYC JULY 2008. I chose this as a still because it shares in one frame the public gaze ( as embodied in the driver ) and a reflection on the surface of the car of my video capture and mobility apparatus.

While I was editing a new version of my 2008 video and performance work "Bench" today I realized I might want to share more what is happening in my creative work even if it is a small thing.  This BENCH piece I have featured here previously and have installed as an "in-the-round" work. Now I am recreating an HD single screen composite of the video. I want this edit to be seen especially as it includes a new landscape arrangement of the six channels that pulls all the screens in one continuous line. I enjoy this aspect of the video because it ties together front and rear more intuitively. This work may be included in a museum group show which I will not disclose yet until confirmed. Its deadline time.

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