Lecture? Book It Here

 

WhatIsWhat 1.0 2003

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Topic “dance”

Shannon Public Works Trilogy

 

“Through Shannon Public Works*, I plan on reconciling the gap between what I feel is possible in experiencing street performances and what audiences up until this moment have been able to experience. The three interrelated projects making up Shannon Public Works are connected by the conceptual belief that a naturally-occurring street environment is imposed upon by an audience to the extent that a virtual proscenium is manifested and the performance is thereby isolated from the very environment it is meant to exist within. The efforts made in Shannon Public Works address this conceptual belief and are designed to allow an audience to watch a performance in the street while preserving the integrity of the landscape. In short, I wish for audiences to see as I see and walk as I walk but at the same time allow me space to share without being in the context of their gaze.”

Bench Illustration of Capture Technique/ 1st Person

Bench Illustration of Installation & Capture Technique/ 3rd Person

Cirque: Choreography; The Aerial Atherton Twins

The first day I came in to choreograph aerial I had the twins doing tut style angular forms and trying to explain New Yorks house hip-hop and martial arts influenced Zoo-Fu style that I had learned from dancing with the Step-Fenz since 97.  I came in trying to get rhythms with freezes and glides.  I watched what they had too when we started out, which appeared to me to be the classical chest out flying “like in a dream” look combined with a drama-workshop-esque build of primal roars! at one another and thankfully some serious power and balance combo positions. i was envisioning a possessed techy Egyptian style. An aerial act of mechanisitc hieroglyphic flying form with 90 degree ankle and futuristic interlocking tic-toc skateboard referencing aerials.

See video

ABOVE: The Atherton Twins perform an early version of the Aerial Straps Act in Cirque Du Soleils, Varekai.

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