Lecture? Book It Here

 

WhatIsWhat 1.0 2003

Bill Shannon's blog

The Dance is in Your Body Not in your Crutches

bill shannon whatiswhat.com artist

ABOVE: "In-Saddle Float" performed Traveling ( as oppposed to single position circular ) from The Shannon Technique

I am posting up this image of me performing an In-Saddle-Float on single point crutches to make the point that my dancing came from within my heart and spiritual connection to music and the "urbanity" of my form prior to attaining and evolving the rocker bottom crutch design.So many kind people have written to me about how they want to dance on crutches but need to find a rockerbottom set to get started. My response is just start moving.

EYE of THE BEHOLDER

ABOVE: Here is a quick video of a wearable mobile video prop I made from screen scraps, baling wire, electrical tape, a micro projector and a microcamera. I made this prop to test the viability of a more fleshed out method of fabricating a lighter weight version of my "Invisible Series" that is meant to function in a more mobile-esque manner. Thanks to James Clotfelter on the fabrication assist and Ravish Momin drum sounds.

BELOW: detail of headmount and microcamera

bill shannon whatiswhat.com artist

bill shannon whatiswhat.com artist

ABOVE: more fabrication details, lots of black gaff to hide any reflections

bill shannon whatiswhat.com artist

ABOVE: Video Still

SOMEWHERE IN THE UK

bill shannon whatiswhat.com artist

THISISWHATISWHAT

Popped on the headphones for some Stepping Roll in the post-rain slickeryness while waiting for The Bus today. A very flowshow lyrical tangent. love those wet 540 power slides and gaping 180's from fakie down the hill ( yes FAKIE )

MAKE A TETRAPAK SLEEVE FOR HOT BEVERAGES

ABOVE: I like to drink my tea in a taller glass rather than the traditional tea cup. The glass has no handle yet is very hot. With the insulation quality of the tetrapak I can protect my fingers and retain heat in the glass. Especially good for winter teas and coffees.

The video is pretty self evident but there are some details that are important. Maybe the next time I will narrate but for now I will just write. The video starts with a shot of the tetrapaks soaking in grey water. In this case the water is rain water collected over

Remixing Sculptural Elements in Micro Installations

BILL SHANNON, WHATISWHAT, recycle, reuse, environmental art

ABOVE: temporary arrangement of found objects and fabricated elements untitled

I have fabricated several small metal characters in light metals like brass, silver and thin sheet steel over the years. I have taken these small creations and built or arranged little worlds that the characters I fabricated then exist in. I change these micro-installations...

Unique Security Requirements

bill shannon, whatiswhat, disability politics

ABOVE: BLOWFISH STRATEGY. In my world of phenomenology and identification of sociological dynamics in public space the development of performed "strategies" as tools to unlock disable or otherwise transform the implications on my life of a given phenomena are important. The BLOWFISH STRATEGY is part of my engagement with the almost constant phenomena of AMBIGUITY OF DISABILITY. In other words...

2001: thisiswhatiswhat

bill shannon, whatiswhat, thisiswhatiswhat,

 

bill shannon, whatiswhat, thisiswhatiswhat,

 

 

Tetrapak Creations 1.1 : Acquisition Processing and Storage

In my haste to post up the step by step of breaking down a tetrapak I skipped over the various phases I have ongoing with my tetrapaks. The easiest way is to process them as they come. Taking on a bulk load or waiting till you have a bulk load is more daunting and might cause your tetrapak dedication to waver. Many restaurants throw these away ten or twenty a day. If your partner is a foodie like mine then there will be no shortage of these amazing little boxes.

BILL SHANNON, WHATISWHAT, recycle, reuse, environmental art

ABOVE: three of the most common sizes I encounter. Note that the larger tetrapak on the left was processed later in my tetrapak journey as the edges are clean. The tetrapaks to the right were processed early on and reflect a certain ignorance as to the importance of clean edges.

Processing tetrapaks is not fun but the end result is well worth it. after the jump I show the various states of tetrapaks in my possession

Tetrapak Creations Step 1: The Breakdown

I open and flatten the tetrapaks like this to try and retain clean edges. I try and use grey water to rinse them out first. This slower flattening process serves me well when I use the tetrapaks in my work later on down the line.  This 18 image sequential is step one of what I plan to be a six step process to a finished product.

Good Morning, I Love You

bill shannon, william shannon, whatiswhat, art, photography, video installation

ABOVE: pillow with arrow indication of where my dreams may have taken place

; ( ...

See video

ABOVE: Abnormal Smoke from Reactor # 2 Oct 22nd smoke @ 1:05. Fukushima

particle and jetstream maps after the jump

DANCE DELIGHT COVER

 

bill shannon, whatiswhat, thisiswhatiswhat, streetdance, urban, dance delight, j

ABOVE: Dance Delight Magazine Cover Shot 1999 This came out right when I was first hitting New York hip-hop and jungle clubs. Basically I went wherever the circle was alive. Eventually I discovered how crazy the Club Shelter Circles were under Robbie Promoter with Timmy and many other stellar house Dj's. Up until Shelter I was never that much into house music but progressive vocal house was a whole new world. So danceable and Funky.

click thru for the interview

THISISWHATISWHATIS

 

 


 

bill shannon, whatiswhat, thisiswhatiswhat, streetdance, urban, dance delight, j

ABOVE: interview in Japanese

eliminating the divide between my audience and my street practice

See video

ABOVE: Video Documentation of TRAFFIC from my trilogy of street works that are designed to preserve the authenticity of my interactions with pedestrians, crowds and traffic in the street.  The " ticketed" audience rides along for direct observation of me in the street as I work with whatever situation comes along, be it kinetic sociological or stylistic. Chicago Trib review and more after the jump

thisiswhatiswhat

dance like people are watching you from the side of their eyeballs without turning their neck

THISISWHATISWHAT

BILL SHANNON, WHATISWHAT

ABOVE: HOW TO HANG YOUR HAT ON A CRUTCH WHEN A CORNER IS AVAILABLE AND THERE IS ABSOLUTELY NOWHERE ELSE TO HANG IT.

Illustrated Note on "The Condition Arriving" Phenomena

THISISWHATISWHAT

BILL SHANNON, WHATISWHAT, PHENOMENOLOGICAL PERFORMANCE ART

ABOVE: original notebook scan. Illustrated Notes on Cultural Phenomenology; The Condition Arriving and notions of invisibility within its context. I have posted this same image in the 2D section of this site but it is cleaned up of all the writing.

Traffic Excerpts Chicago

ABOVE: an excerpt from Traffic: Chicago. "my left foot" means for the bus to speed up..

This text about Traffic I have cut and pasted from a grant proposal and modified slightly -after the jump-

THISISWHATIS "Traffic"

THISISWHATISWHAT

Bill Shannon, Performance Art, whatiswhat,

ABOVE: A graphic I created for a project that I never realized .. a project about personal space in the digital era.. the title was "mywirelessistouchingyou" I think the graphic is pretty cool, not stellar or anything just funny and provocative.

NO END IN SIGHT FOR THIS NEW BEGINNING

I keep dancing to stay sane, to stay grounded. I touch the ground. I have little else to hold forth against the tide of misery besetting the world at the hands of gangsters protecting scientist with fancy titles and technical arguments.These nuclear scientist are stone cold. Playing We-can-make-it-state-of-the-art.

Fukushima HORROR OF HORRORS.. WHAT DARK DEATH HAS BESET OUR MOTHER. GE YOU BRING GOOD THINGS TO DARKNESS.

Hubris. They can play GOD. But, when it comes to nuclear power, there is no art in the balance of failures to innovations only human tragedies hidden under layers of loud blanketing lies and obfuscations.

FUKUSHIMA PARTICLE, NUCLEAR SCIENTIST, General Electric

ABOVE: THE LOGIC BEING HUMANS HAVE ACCIDENTS BUT NUCLEAR SCIENTIST DONT

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